The role of humor in conveying a spiritual message

supposition bug outs as an important component of literature, since it provides stress-coping strategies and mocks misdemeanor, transfer hypertextual spiritual or moral messages and charitable to gentlemans gentlemankind cognition as advantageously as to emotion. The paper is designed to controvert the role of humor in illustrating sure spirituality and virtuousness, in particular, in Boccaccios The Decameron.The Decameron presents an integrative perspective of companionable ethos, earlier with questioning the existing set and seeking alternatives. Morality and spirituality atomic number 18 not necessarily described as dogmas, but rather as the main(prenominal) way of handling unfavorable situations and liberating from burdening conditions. Boccaccio finds that the almost convenient and reliable method of proving the prerequisite of empirical application of universal human values is approaching to social pathology from opposite.The narrators, sidereal daytime by day, demonstrate that deception and guile either bring additional problems at a time to an individual or simply release into absurd or resigniculous tale. For instance, the 4th tale, narrated on the first day, depicts the divergence amidst the holiness of clergymen and their f true behavior, which is far from ensample (Boccaccio, 2004). The monk is caught sinning, that is to say, his sin deserves the most implike punishment, but the protagonist manages to get rid of any responsibility, move the blame upon the abbot. On the one hand, the reader is really astonished by the characters inventiveness, but viewing the situation more broadly, it is feasible to presume that the situation itself is extremely awkward, so it would be more reasonable to stave off it with following ethical principles, effected for the certain social group.In psycho formal terms, this technique is known as behavioral learning i.e. the reader, instead of learning the actual patterns of valued beha vior, gets the knowledge about d estimated actions, which chastity social censure. Another prominent slip of conveying spiritual message through using humor is the third situation, presented on the third day. In this story the newborn woman, enamored of a man, creates the conditions, in which she cigarette gratify her feeling through misusing the principles of sanctum confession (Boccaccio, 2004).In this sense, the protagonist naturally abuses the religious fundamentalism, but this bold actions seems to be favored by the narrator and the author, since in spite of the comic and to some terminus unpleasant circumstances, in which she throws her beloved, her cunning externalise finally allows her to reveal her true feelings, which indicates that the rules and social bonds are powerless against the really secure feeling and that spirituality can sometimes neglect strict and rigid societal norms.The tenth novel of the third day (ibid) continues the anti-Catholic epopee, as it na rrates about the abuse of celibacy. Its tragicomical tone, however, is aimed at religious dogmas cannot hide or inhibit the real human disposition in this sense, the story demonstrates the faultiness of clerical institution and therefore offers social norms concerning marriage ceremony as an alternative to religious dogmas, which appear as theatrical performance (putting the Devil into the hell).More interestingly, the second novel of the fourth day provides the logical continuation of the topic, as it demonstrates the clear interrelation between the monks wickedness and the resulting punishment. This story logically supplements the fact that authorized morality and spirituality are rewarded through depicting the execution of punishment, deserved by genuine and absolute wickedness. Again, its humorous attitude towards the situation allows the reader to evaluate the protagonists action in terms of distinguishing between right and haywire.To sum up, Boccaccios stories are o ddly valuable in terms of conveying moral and spiritual messages, since they allows the reader to rend appropriate conclusions by him/herself through analyzing human experiences, without imposing artificial or theoretic morality.Works citedBoccaccio, G. Decameron, 2004.