Tuesday, May 7, 2019

'The significance of Wang Kar-wai's films often derives from their Essay

The significance of Wang Kar-wais films often derives from their coplex and highly creative treatment of cadence. Discuss using luxuriant examples from Chungking - Essay ExampleTo understand how Wong achieved this cult status and why certain elements of his films such as time bear significance, it is important to discuss the history from which he grew as they are both linked.Collaborating with puff up know directors such as Patrick Tam in the early 1980s, writing scripts and assisting in direction, Wong learnt from his masters and established himself as one of the second new wave of Hong Kong filmmakers living at a time when issues such as Hong Kongs transfer to China were foremost. Back in 1984 when the Sino-British agreement was drawn charting a plan to handover Hong Kong to mainland China, the disbelief surrounding this issue forced Hong Kongs residents as well as its filmmakers to examine this subject in depth. Rather than condemning the take over, the filmmakers sought to ex plore this previously un-chartered subject, seeking to introspect instead of criticizing. This was the turn when Hong Kong cinema matured and carried forward to the second new wave of filmmakers. In his films Wong essentially captures the cultural individualism of Hong Kong which was dual in nature. The cinema of Hong Kong reflects this notion of a dual identity, combining to create a third, place identity (Wright 2002). This duality arose from Hong Kongs close proximity to China whose cultural identity is vastly distinguishable and bore a significant impact to Hong Kong. But Hong Kongs history of being associated with western culture, entrancing the western way of free life, gave it a new identity which tried to mingle and sit well with its old identity. And Hong Kong films particularly from directors such as Wong Kar-wai, echo this dual identity. Hong Kong released a few art films that nominate their way into film festivals. Chungking Express (1994) directed by Wong Kar-wai, became a cult hit (Bordwell 2000).Hong Kong cinema is both a popular cinema and a cinema of auteurs

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